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The studio is housed in a huge old warehouse off Highway 162, deep in the bowels of Lowcountry country, which was cringing under the oppressive weight of the brutal August heat last week when I was invited to attend as a guest. Wine was being poured at 10 a.m. as a group of about 40 people waited in the holding tank prior to the show. I ambled off to find water instead, and it was then that I came upon the prep staff in the rear off of what I would soon learn was the studio. It was the portable version of a restaurant prep staff. There was Bob, working alongside his sous chef Jason Houser, peeling carrots and turning turnips. It was hot and the pressure was on, not unlike a real kitchen, I thought, but definitely not as convenient. For one things, the tables were very low. Both Bob and Jason, being tall men, had to hunch over and bend low to reach their cutting boards. In fact, they were prepping not just for Bob's show, but for the lucky audience members who would be offered a taste, gratis, near the end of the taping.
Soon, we were merrily guided to our round, petite tables, which were decorated with fine linens, cutlery, glasses and plates. More wine arrived and the taping began. Due to an "equipment malfunction," Bob was forced to repeat his agreeable opening comments three times. Heat was building fast as the fans were turned off in advance of the taping, and the cooking. A make-up girl with a plumber-like tool kit wrapped around her waist, enters, as if on cue, and powders the chef's face. Neither the 86'd fans or the make-up would ever make it into a real kitchen, let me tell you!
Still, Bob's a natural and his humor was on high as he walked and talked his guests and his audience through the steps of making an emulsified, cold grapefruit and avocado soup, which was absolutely impeccable. A mystery, never-to-be-identified malfunction of another sort took place, not shortly after this. It led to approximately a 2 hour long, wine-induced haze of a wait for the audience, while Bob patiently chatted with his producers and guests.
But the show, as they say in the biz, must go on, and ultimately, it did. Bob worked with his assistant to create squab seared in butter and served with a bacon, shallot, thyme and Bordeaux sauce. Though patient and kind, it was clear that his well-practiced boning skills were aching to come out to cut-away the breast from the rib-cage of the baby pigeon as his young assistant labored over the task. He showed her how to tip and then toss the beautiful baby vegetables that were eventually served with the squab and how to pluck thyme from its stem. Quickly, a stage-hand took the seared squab from the (fake) stage oven, and ran it off to the prep area where it would finish in a real oven.
Another pregnant wait as our still unfed (save some cookies and crackers that were generously provided) and mildly sodden bellies rumbled into the early afternoon, and the squab returned, all pink and pretty and ready to be plated. The assistant did the plating as Bob looked on, expertly tasting and finishing all the seasoning. Next, Bob was seated with his assistant and her friend as they finally dig in and eat what they've prepared.
Then, we all ate. Here's the most unreal part of it all. Despite all of the unnatural contortions for a natural, professional real- life chef, the food was amazing. The squab, tender, meaty and gamy, dressed with a generous mild sauce and al dente vegetable gems, was perfect, and served at just the right temperature. And, none of it had to be, not for television. It just HAD to look good. But, Bob and his staff, despite all the distractions, made it happen. Bet the food doesn't taste this good on Rachel Ray's set!
Bob's show is currently scheduled to start airing on Public Television affiliate stations across the country this November. For more information, visit http://www.ucookwithchefbob.com/
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